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Music of this trio is crossover contemporary poly-ethnic jazz. The performance of the band is the multi-instrumental show with video projections. We are in the process of recording of the 1st CD. |
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- Between Ethno and Jazz - Crossing the ways of jazz and world musics, classical instruments meet diatonic tubes and strings vibrating in sympathy; original compositions blend with spontanenous improvisations; all of this is treated with humor and depth, openmindedness on musics of all times and respect of cultures and traditions of origin. Emmanuelle
Somer - oboe, english horn,
bass clarinet, soprano sax, kalimba, Bb and piccolo clarinets, Irish
whistle, frame drum, percussion Vladiswar Nadishana - dzuddahord, mandola, fujara, overtone flutes, hybrid kaval, jew's harps, hulusi, percussion |
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OSUNA is a multicultural project which takes you to musical journey through different ethnic cultures. Khakas odd meters are blending here with Sami yoik, turkish saz is accompanying the slovak fujara… Raphael
De Cock - throat singing, vocals, chatkhan, chanzy |
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Solo Besides the trios and duo I have my
solo programm: presentation of 20 ethnic instruments of the world. It's
part of my collection which include about 100 instruments from all over
the world. I use self-made videoprojections on stage. I also making workshops about overtone flute (kalyuka) and jew's harp (technique of playing) |
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Frame Drum Shadow Theater The traditional ancient kuzhebarian shadow theather usually has been shown inside the big frame drum and was synchronized with the drummer playing. We decided to reconstract this tradition and to make audio-visual performance based on this tradition. |
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Jew's
Harps of the World
My site dedicated to jew's harps from all over the world. Playing techniques, audio, video jews-harp.com |
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From north Asia and Siberia all the way down to India, these three musicians combine their own personal experience and diverse instruments into a new story - a musical journey. |
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Russian - Tuvinian Karma Knot An experimental synthesis of different world traditions. Traditional tuvinian music is performed here in a completely new context. We join tuvinian throat singing on an african and indian rhythmic basis and apply the contemporary jazz harmony system in the arrangements |
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Fourth Race (duo, first line-up) wolrd fusion duo, synthesis of different musical traditions of the world. Instruments used: mandola, hurdy gurdy, zhaleyka, dzuddahord, kalyukas, vladimirsky rozhok, violin, etc. |
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Russian folk fusion group. Overtone singing, russian and belorussian folklore.
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Ensemble Ri The musical credo of the Ensemble RI is a concept of "archetypical music". The music of Ensemble RI sometimes can resemble Balkan or Asian folklore, sometimes - medieval European dances, sometimes - contemporary chamber academic opuses, but in fact it does not belong to either. Because it is based not on the imitation but on the attempt to capture the essence of the musical process. |
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with Yulia Dashevskaya arrangements,
all instruments |
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with WolfgangStindl (Ikarus project) quena and gayda (bagpipe): Touched the Sun |
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with Earritation overtone flute: Go For It |
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with Tatjana Gordeeva all instruments, arrangement: |
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with Vadim Redkin dzuddahord, percussion: "Night" |
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with Julia Japparova kalyukas (russian overtone flutes): "Kanareechka" |
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with Kelpie |
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with Norland Wind |
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Discography - Instruments - Collaborations - Rider
Web design by Nadishana
© V. Nadishana & Yulia Surba, 2004
