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Far & Near NADISHANA TRIO (Code: 011)

Performed by: Nadishana, Armin Metz, Steve Shehan
Label: Sound Microsurgery Department
Genre: world fusion, ethno jazz
Disc: cd digipak
Release date: 2011
You can buy this album also at CDbaby bandcamp and  Vladiswar Nadishana - The Traditional Music of Ancient Kuzhebar Aborigines

 

 

Innovative world fusion. Unique style and virtuosity, Unusual traditional and self-created instruments!

Digipak with embossing and beautiful design.

 

Nadishana Trio CD 044 Nadishana Trio CD 032

 

 

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Nadishana - dzuddahord, hybrid kaval, futujara, hu-lu-si, bansuri, duclar, khomus, utar, tambujira, 1tone drum, mouthbow, various perc, sounds.
Armin Metz - 6-string fretless and fretted basses.
Steve Shehan
- self-constructed percussion kit, brushes, hang drum, spacedrum, sagattes, kendang, steel drums, hadgini, tuned udus, piano, likembe, conga, calabash, handsonic, knong wong, various perc.

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Click yellow "Add to Cart" button to buy a physical CD, digipak (15 EUR + 7.50 EUR worldwide shipping)

 

 

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Price: 10.00 EUR

Comments   

Love it
great musicianship and compositions. world fusion at its best. Nice groove nice vibe.
I would like to see them live.
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Awesome creativity
The nadishana trio is absolutely amazing. They have a refreshing sound, and the complexity of their music is pleasing without being overbearing. The use of complex time signatures has never been more pleasing to the ears.
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Beautiful
To try to describe this work of art using only words would be a waste of time. One needs to experience it to understand. I strongly recommend this miracle or world music and feel almost sorry for discovering it only years after it was published. The world is easier to bare with these vibrations around me so the future does seem brighter with each song I hear. There is no place for sadness with Far&Near melodies.
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Famoser Ethno-Jazz
Far&Near ist das vierte Album von Nadishana, welches ich mir bei Amazon douwngeloadet habe. Vladiswar Nadishana spielt hier zusammen mit dem Percussionisten Steve Shehan und dem Bassisten Armin Metz. Auch Percussionisten neigen dazu, gerne mal zu zeigen, was sie so alles drauf haben. Nicht so Steve Shehan. Der spielt subtil, sparsam, einfühlsam und stellt sein Können ganz in den Dienst der Sache. Das zeugt für mich von musikalischer Reife - klasse! Gute Bassisten sind bekanntlich dünn gesäht und so einen wie Armin Metz muss man lange suchen. Der spielt nämlich 6-saitige(!) Bässe, bundiert und unbundiert. Wenn man meint, eine ziemlich tiefe, gezupfte Klampfe zu hören, so isses der Bass. Das grooved, ist funky und geht ins Bein. Dann ist da noch sein melodiöses Spiel, feine Soli auf dem Fretless und vor allem die Uni-Sono Läufe, zusammen mit Nadishanas Flötenspiel. Klasse! Was soll ich über Nadishana noch sagen? Der Mann ist Multi-Instrumentalist, besticht aber vor allem durch sein vielseitiges und einfühlsames Gebläse. Indische Bansuri-Flöte, Kaval (bulgarische Hirtenflöte, hier aber eine Eigenkonstruktion!), chinesische Hu-Lu-Si, Duclar (ein Klarinetten-Instrument mit einem tiefen, warmen und wunderbar melancholischem Ton!) sind nur ein paar von den exotischen Blasinstrumenten, die er meisterlich bedient. Stücke einzeln hervorzuheben erübrigt sich, weil sie allesamt klasse sind! Groove-Nummern, Songs und Balladen halten sich in etwa die Waage und beim Hörgenuss kommt bestimmt keine Langeweile auf. Auch auf dieser Scheibe findet sich Nadishanas Liebe zu archaischen Instrumenten wieder und die Art und Weise, wie er ein so scheinbar simples Instrument wie eine Maultrommel bedient, ist phänomenal! Was soll ich sagen? Anhören und kaufen! Auf Nadishana.com gibt`s jede Menge Musik und Videos in famoser Qualität. Wer wissen will, was ein Dzuddahord ist, ein Futujara, oder ein Duduk, hat hier die einmalige Chance, bei ultimativem Hörgenuss sein musikalisches Wissen zu erweitern. Mein Arzt hat mir täglich eine Nadishana-Scheibe verordnet - gute Medizin, das!
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Ever fresh
Nadishana's music is ever fresh and inventive. So beautifully articulated and phrased. Everyone he collaborates with is likewise extraordinary. I listen to his pieces over and over and at every listening hear things I'd never noticed before.
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Best ethnic fusion album of the year
Nadishana is a compositional prodigy and one of the most brilliant musicians of this era. With telecomunications and internet resources available, the newest generation of musicians have had the oportunity to study music styles from around the world and mesh them together like never before. No one musician that I've heard more embodies this concept more spectacularly than Vladiswar Nadishana. Steve Shehan is also an incredible percussionist who makes use of some of the most rare and cutting edge instruments around the globe (like the hang drum of Switzerland). Armin Metz has more of a pop sound on bass guitar. This makes the makes the music a bit more tangeable for people who are new to foreign music and the ethnic fusion genre. Nadishana is a master of all types of flutes, guitars (including an instrument he made himself combining a guitar and sitar), jaw harps, and a variety of hand drums. This album has enough different instruments and types of pieces to keep the listener captivated by all the unique sounds the whole way through.
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RE: Far & Near NADISHANA TRIO
"On their first album together, the members of “Nadishana Trio” bring to the recording studio an original repertory that has been captivating audiences for more than four years of performances in prestigious venues and festivals. What has been forged through collective interactions, now becomes an original concept that captures the spirit of their fruitful kinship.

Vladiswar Nadishana, the founder of the project, is a multidisciplinary Siberian artist with a deep knowledge of ethnomusicology, playing more than 100 instruments. He is joined by master percussionist Steve Shehan, a legendary world music innovator, member of the famous Hadouk Trio, and bass player Armin Metz, versed in different styles, from electronica, pop, to world fusion. The title of the album is a suggestive metaphor of their creative road map: "Far" is geographical distance, but also it is about traditions, a journey to an ancient time when music was evolving as a fundamental ingredient of human culture, while "Near" evokes spatial closeness, neighborhood, the fresh modernistic flavor intersected with its “Far” counterpart.



The variety of the musical themes and instruments we hear is impressive. There are original compositions along with skilled solos contributed by all three multi –instrumentalists who distill and blend layers of “Far” and “Near” in a polychromatic panoply composed of a wide array of influences and sources. We are taken to explore a world of harmonies infused by a cross-cultural symbiosis that resonates with the innermost chords of the soul.
Flowing happily like a mountain spring, the invigorating “Water song”, opens the journey. As the musical flow progresses we pass through a mysterious “Hidden Door”, reaching the “Vast lands” of the “Sanskar Valley”, charmed by a mellow “Overtone story” , before “Riding north” surrounded by the dark melodious voice of the bass.

Then comes the silky “Far and Near”, a melody you wish it never ends, and the ritual-like “Kuzhebarsko Horo” reminiscent of ancestral East-European circle dances. The inspiration flies high when the adventure slows pace with the delicate oriental beauty of the “Urhat”, in which Nadishana’s sensuous kaval narrates an emotional intense melody. In tune with him, Armin Metz weaves rich bass tones, swirling like a snake made of velvet sounds, while sound wizard percussionist Steve Shehan radiates lights and shadows, whispers and silence, deepening the mystery.

But “Far&Near” is also an enriching sonic experience for listeners, as the album showcases a rich variety of percussion , woodwind and chords instruments of different origins, some of them invented by the musicians themselves . It is a momentary return to the sources of music when the humanity was closer to the nature than today. At the end of this fabulous journey, the three fellow storytellers leave us enchanted by the pure joy they shared with passion and virtuosity all along the way. From every angle, “Far and Near” is a vivid illustration of Longfellow’s words: “Music is the universal language of mankind."

Stefan Bocioaca
www.jazzworldquest.com
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